She ranks high among women who integrate aggression into their art. Her main media are textile, her own body, video, and, lastly, light. She lives in Switzerland but dreams in Hungarian.
Hollow embodies the shared hallucinations of choreographer Viktor Szeri, game designer Tamás Páll, and curator Gyula Muskovics. They have been working collectively since 2018, combining their visible and immaterial forces with sound and game mechanics to create immersive environments and cross-reality experiences. They merge the methodologies of choreography and contemporary dance with poetics, augmented reality, and live action role-playing to build world prototypes where the dominant systems of consensual reality can be questioned and modified. Hollow has provided access in various forms to the land of obscurity, investigating topics and contexts such as queer cruising, millennial cults, eco-anxiety, nature as a black box, and walking as a psychoactive substance. Hollow is constantly becoming, and most of their performances and installations are ongoing. Moving seamlessly across virtual terrains and the corporeal, they blur the line between fictional and consensual realms and distill personal domains into collective experiences. Hollow is a shapeshifter; they melt and mutate in the moment and the space they occupy. They are a crucible where identities and narratives dissolve and bleed into each other.
Šimon Sýkora (1990) lives and works in Prague and Vienna. He graduated from the Academy of Fine Arts, Prague in 2019. He participated in the study programs of Unarte Bucharest (2016) and TNUA Taipei (2018). His attitude as an artist is characterized by primitivism and sensitivity, working with themes such as absurdity, embarrassment, irony and apathy. Through his paintings, he captures distant characters, silently provocative inhabitants of terrains the rules of which we are not even aware of; while his performative practice dives in the bizarre spheres of political extremism.
Rhizome parking garage is a decentralized art project. Through art, music, writing, and the creation of decentralized networks it hopes to help create a desire to shift the structural asymmetries.
Utca & Karrier (U&K) is an underground platform, focusing on politics, culture and arts. It aims to represent a critical, young creative scene and to build an institution in a counter-institutionalist manner by giving voice to new thought and perspectives. The magazine was founded in Budapest, in 2018 and has been operating ever since with a growing net of collaborating artists and writers. Following the previous issues (Application, Violence, Knifes, Flames and Golden Age) U&K is currently preparing its 6th publication, Phoenix.
Flowers with human faces, salamanders, hermaphrodites, kind freaks, liberating demons; art opening a door to chaos. Or, what if what we considered chaos so far, is closer to us, than order is?
MŰTŐ is an artist-run independent platform and art collective. Presenting diverse programs since 2016, it works on expanding the boundaries of art, focusing on emerging Hungarian and international artists. MŰTŐ’s community is built through critical curatorial approach and democratic structure based on DIY culture. Having been part of this community as a member of the team and still working together on the Alterum artist-run network, we’ve talked with Zsófia Kókai, Flóra Pálhegyi and Veronika Romhány about the present and future of MŰTŐ, shifting structures and expanding horizons.
In the summer of 2020, we recorded a radio show with the participants of a regional cooperation project. We organised the cooperation together with the members of Budapest-based MŰTŐ group.
Plague is a curatorial group founded in Krasnodar, Russia in 2018. It was created by three young artists, Arthur Golyakov, Stas Lobachevskiy, and Vanya Venmer. In their curatorial and artistic practice, they discover such issues as post-graffiti aesthetics, occult roots of capitalism, non-human and object-oriented agenda, and other newest artistic topics.
The (new) Constellation, the T(n)C was founded in 2017 by Ágnes Várnai and Tina Kult. They live and work in Vienna and experiment with a wide range of media, including virtual reality, 3D, installation and fashion. By combining the different disciplines, they are researching immersive experiences to connect the digital and physical levels of realities. T(n)C believes in the power of joint efforts. Their aim is to expand the practices of collective storytelling with a collaborative approach.
This autumn, a new, progressive contemporary gallery, Initio Fine Arts, was launched in London with works by a Hungarian and an Algerian-French artist. This choice is not by accident as one of Initio’s focus is on Eastern European design. Judit Jankó talked to Marie Tourre de Robien, the curator of the exhibition and one of the co-founders of the gallery, about the connection of the two designers and, most of all, how we are all interconnected, how cross-border programmes can be carried out, and how sensitive and multicultural dialogues can be pursued.
At its latest exhibition, acb Gallery presents paintings by Endre Tót, which waited in a storage for thirty years for someone to rediscover them. We talked to Endre Tót about these temporarily forgotten pieces of his colorful oeuvre, the influence of Informel painting, and the unexpected appearance of an artwork.
Hyperlink Athens is the project of two young Greek artists, Alexandra Koumantaki and Yannis Voulgaris. It’s an independent curatorial platform and elastic artistic collaboration. The collective has been re-shaping itself since 2017, through cooperations, off-site and in-situ works that break down and reinterpret the borders of artistic and curatorial work, real and virtual space and the medial frames of what an artwork can be.
Gold und Liebe I. – A conversation with Katie Zazenski on care, (virtual) identities, Stroboskop art space and Poland’s political reality
Located in a small garage in Warsaw’s Ochota district, Stroboskop Art Space is an alternative, exploratory platform that engages with both the Polish and international art community. Through a program of critical exhibitions and performances, lectures, screenings, and community meetings, Stroboskop is a space for experimentation. Stroboskop was founded in 2016 by Norbert Delman, Agnieszka Delman, Przemek Strozek, Franek Buchner, and Jacek Słoniewski. Katie Zazenski joined the team in January, 2018 and Martyna Stołpiec joined in June, 2019. Stroboskop is co-directed by Zazenski and Stołpiec.