Plague is a curatorial group founded in Krasnodar, Russia in 2018. It was created by three young artists, Arthur Golyakov, Stas Lobachevskiy, and Vanya Venmer. In their curatorial and artistic practice, they discover such issues as post-graffiti aesthetics, occult roots of capitalism, non-human and object-oriented agenda, and other newest artistic topics.
The (new) Constellation, the T(n)C was founded in 2017 by Ágnes Várnai and Tina Kult. They live and work in Vienna and experiment with a wide range of media, including virtual reality, 3D, installation and fashion. By combining the different disciplines, they are researching immersive experiences to connect the digital and physical levels of realities. T(n)C believes in the power of joint efforts. Their aim is to expand the practices of collective storytelling with a collaborative approach.
This autumn, a new, progressive contemporary gallery, Initio Fine Arts, was launched in London with works by a Hungarian and an Algerian-French artist. This choice is not by accident as one of Initio’s focus is on Eastern European design. Judit Jankó talked to Marie Tourre de Robien, the curator of the exhibition and one of the co-founders of the gallery, about the connection of the two designers and, most of all, how we are all interconnected, how cross-border programmes can be carried out, and how sensitive and multicultural dialogues can be pursued.
At its latest exhibition, acb Gallery presents paintings by Endre Tót, which waited in a storage for thirty years for someone to rediscover them. We talked to Endre Tót about these temporarily forgotten pieces of his colorful oeuvre, the influence of Informel painting, and the unexpected appearance of an artwork.
Hyperlink Athens is the project of two young Greek artists, Alexandra Koumantaki and Yannis Voulgaris. It’s an independent curatorial platform and elastic artistic collaboration. The collective has been re-shaping itself since 2017, through cooperations, off-site and in-situ works that break down and reinterpret the borders of artistic and curatorial work, real and virtual space and the medial frames of what an artwork can be.
Gold und Liebe I. – A conversation with Katie Zazenski on care, (virtual) identities, Stroboskop art space and Poland’s political reality
Located in a small garage in Warsaw’s Ochota district, Stroboskop Art Space is an alternative, exploratory platform that engages with both the Polish and international art community. Through a program of critical exhibitions and performances, lectures, screenings, and community meetings, Stroboskop is a space for experimentation. Stroboskop was founded in 2016 by Norbert Delman, Agnieszka Delman, Przemek Strozek, Franek Buchner, and Jacek Słoniewski. Katie Zazenski joined the team in January, 2018 and Martyna Stołpiec joined in June, 2019. Stroboskop is co-directed by Zazenski and Stołpiec.
For those who are late, forgetful, workaholic, or for anyone who didn’t have time to take a look at the exhibition.
EJTECH (Esteban de la Torre and Judit Eszter Kárpáti) is a polydisciplinary studio working with unstable media, experimental interfaces, electronic textile, and augmented materials. Recently they had a quite grand-scale collaboration with Dior so we interviewed them to know more.
“Contemporary art will have to show more of its process in order to create a larger share of appreciation”
Andrew Herzog is a multidisciplinary conceptual artist and designer who’s projects manifest in public space as installations and interventions. In 2018 he painted a meter wide, one-kilometer diameter circle around the National Museum of Art of Romania – so in 2020, he could create a free, downloadable book reporting about the process of bringing this work to life.
Every spring, our author Gergely Barki presents us with a fantastic story of discovery. This latest tale, as it so happens, is not one story, but at least five, and it thus offers us a nice chance to amuse and amaze ourselves at our leisure in the time of coronavirus.
Il semble que notre auteur, Gergely Barki nous fournit d'une histoire de découverte fantastique chaque printemps. En effet, ceci n'est pas une seule, mais au moins cinq, eh bien c'est une occasion parfaite de nous détendre et de nous émerveiller aux temps du coronavirus.
The Hungarian Pavilion at the 58th International Art Exhibition of the Venice Biennale features the work of new media artist Tamás Waliczky: images of cameras that have never existed. They have been retrieved from the domain of virtual reality to answer the unhistorical question of “what if?”, at least as far as the history of visual representation is concerned. Not incidentally, the author we have invited to write about this is a speculative design researcher.
Everybody Needs Art presents Maja Djordjevic's inaugural solo exhibition titled Everbody Wants To Be Somebody on it’s signature rooftop gallery, the ENA Viewing Space. We talked to Maja about her inspirations, the birth of the naked girl character and her previous project with Selfridges.
Tamás Waliczky (1959) is a new media artist. He started creating animations when he was nine. Eventually, he began working as a painter, illustrator, photographer. He has been involved with computers since 1983. In 1992, he was a guest artist at the ZKM | Institute for Visual Media, later to become a member of the institute’s research team. Between 1998 and 1999, the Japanese IAMAS (Ogaki, Gifu) selected Waliczky as invited artist. After teaching at several art universities in Germany, currently he is a lecturer at the School of Creative Media, City University of Hong Kong. He won numerous international awards, including the Golden Nica at the Prix Ars Electronica, Linz; he participated in a great number of exhibitions worldwide, such as the Bienal Internacional de Arte Contemporáneo, Sevilla. His works can be found in different public collections, for example the Centre Pompidou, Paris or the Ludwig Museum, Budapest.